Acoustic Design Considerations
Acoustic Design Considerations
Acoustic Design Considerations

Home Cinema Considerations

The sound that you hear in a room is far more influenced by the placement yourself, the placement of the speakers and the acoustic performance of the room's surface and contents than it is by the quality of the speakers and electronics. The tone & timbre of the speakers can also vary significantly depending on the speaker/listener positions and the room acoustics.

The Acoustic Distortion introduced by the room can be so influential that it dominates the overall sonic impression. To deal with these problems you need to address two main issues. One is for frequencies in the low region below 500Hz the other is for the other frequencies above 500z.

Below 500Hz you need to focus on the interference at the listening position between the loudspeakers and the adjacent wall/flor/ceiling boundaries, as well as the coupling between the speakers and yourself with the modal response of the room. These low frequency forms of acoustical distortion can be addressed with proper placement of loudspeakers and listening position, as well as the application of dedicated low-frequency absorbers. Above 300 Hz you are dealing with more direct reflections which result in comb filtering and the lack of adequate sound diffusion. Comb filtering can be reduced through careful placement of absorptive and diffusive surface treatment.

When building a home cinema or listening room try to think about the low frequency control first because once the room is built any standing wave problems will be harder to reduce. Also consider the and speaker/listener positions modal coupling can be optimized by optimal speaker/listener positioning. The application of BASS Traps or other low frequency acoustic control products will then be that more efficient and effective.

When designing a new room it is a good idea to reserve a 300mm deep space around the perimeter of the room for acoustic treatment. It is also often convenient to utilize wall/ceiling soffits to address low-frequency control as space can often be at a premium.

Because the front wall immediately receives the omni-directional low frequency sound from the bass speakers it typically needs to be covered with at least 100mm of thick absorption such as nested Profoam panels or Abffusers®. Corner mounting BASS Traps® should be mounted in the wall/ceiling soffits.

The rear wall usually is treated with some kind of diffuser system to uniformly diffuse sound across the listening area, thus heightening the surround sensation. If possible the listener should be seated at least 1.2m from the rear wall. Additional low frequency treatment can be placed below and surrounding the diffusers if necessary.

The front of the room, from the screen to the first row of seats should ideally be a mixture of absorption and diffusion which can be achieved with Abffusors® or BAD Panels, typically 100mm in depth. The rear sidewalls are usually made diffusive, so that the surround channels can be uniformly diffused. This can be accomplished with Diffractals® or FlutterFree® strips in a helmhlotz mounting (i.e. off the wall). For low frequency modal control a thick bass absorbing system can be included above and below the diffusers.

The ceiling should ideally be diffusive, using Omniffusors or Skylines, or at least mixed by utilizing BAD Panels.

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